kyle geiger has enjoyed a rapid rise up the techno ranks thanks to two very well received releases on adam beyer s world famous drumcode label and a handful of high-profile remixes including reworks for marco bailey s mb elektronics label, la techno dons droid recordings and of course perc trax, where his recent remix of material object won the support of joey beltram, paco osuna, xpansul, laurent garnier, nihad tule, ivan smagghe, michel de hey and many more.

the irresistible force of ambivalent and the immovable object jpls team up on minus74 for a collaboration that can only mean trouble for the dancefloor

kool dark pumpin techno trax

leandro gamez aka cio. leandro gamez is one of the most revered veteran producers in the spanish techno scene. his first records for the german label ongaku or his productions for fieber with his name as well as his nicknames cio and shared work make him one of the names to take into account in the european techno music industry. currently, as cio, he has released successful original tracks and high quality remixes for labels such as software, blackout77, subconce, miga and cray 1 labworks amongst others. he has now published the thirteenth release on subconce records

back in stock.. jabberjaw a.k.a. matthew dear !!!

breathtaking electro-house remixes of dm >little 15< + kraftwerk s >boing boom tschak< & >sex object< !!! do not miss this one

huge kraftwerk electro pop !!!!!!!

we have here an marginal sound object which orginated from utilising by the recording studio as an laboratory, making use of highly specialised & an experimental processes !this sound library is the result of manipulations, collages, sound hackings g uided by theirselves ! no expander, no presets, no loops, no pre-existent sound bank !!!!starting from the principle that the turntable is an instrument,tgos conceived this record keeping the musical constraint in mind !equipment for this first lp: s p1200, roland re501 , fender, emu sp 12, lexicon 401 & more

tribute to basic channel a pure dub & crakling sweet techno with cinematic object and spoken words .on the flip side the rising star from vancouver hrdvsion aka nathan jonson (itiswhatitis ) does a massive remix : epic shuffle techno , when click house meets melancolic synth ….rave anthem ! already supported by mathew jonson, quenum (cadenza )

cool old skool styled hardgroovin / techhouser

incl kate bush running up that hill, tarzan boy, californioa dreamin a.m.m.

the debut album from guitarist and bay area jazz community member daniel mandrychenko.

2018 feiert das britische electronic-duo future sound of london sein 30-jŠhriges bestehen. mit from the archives vol.9 erblicken weitere unveršffentlichte tracks aus ihren umfangreichen archiven erstmals das licht der welt, die den zeitraum der frŸhen 1990er bis heute umspannen. progressiv-elektronische experimente aus den tiefen des fsol-katalogs.

first official mix compilation from mount kimbie

seit fast 20 jahren bereichert der brite james holden die electronic-szene mit innovativen, prŠgnanten und stilbildenden ideen. fŸr sein drittes album versammelt er die liveband the animals spirits um sich herum, um seinem elektronischen sound organische liveinstrumente wie saxofon, kornett oder cosmic-percussion hinzuzufŸgen. so entsteht ein neuartiger, synthbasierter folk-trance, der elemente wie psychedelia, krautrock, weltmusik und spiritual-jazz mit holdens melodischer stŠrke kombiniert. damit kreiert holden eine neue genreprŠgende form universeller musik, die gleichzeitig flŸssig wie lebendig klingt.

the best of psychedelic & pregressive dance music. compiled by drukverdeler & dj bim

on limited edition compact disc. no. the disorganisation founded by atomª + material object in 2013 to advance the cause of faceless audio output by no. one in particular are cataloging their 3rd year of existence with no. iii no. iii continues the centuries long tradition, invented by the label masterminds in 2013, of remixing the very concept of a ÔcompilationÕ by slicing, remixing, autotuning and youtubing the entire year of the labelÕs output into the blender for a completely new cocktail that goes beyond merely re-packaging previously released product. although 2016 was a relatively light year for no. in terms of hours of audio output, a famous german philosopher once wrote Ôa samuraiÕs life is not measured in lengthÕ and the mix features two previously unreleased works by the label owners: Ôstill d/aÕ by atomª and ÔiiiÕ by material object. no. iii successfully represents the material released on the label between may 2016 - may 2017 as well as some now declassified transcripts of past communications and unreleased excerpts from future efforts, stitched together with frankensteinian precision and brought to life on the operating table with a blast of atomic energy

based on the eponymous play by brothers and author/performer team tobi and mike mŸller at schauspielhaus zŸrich, swiss experimental documentary film a1 traverses through time and space along switzerlandÕs first and most elongated highway structure. rich in archival sources, it sheds light on the costs and benefits of rapid movement: social, migratory and ecological patterns, economic and military designs that are mostly not immediately obvious to the casual motorist. stefan goldmannÕs soundtrack engages the filmÕs multi-layered aesthetics full on, providing a dazzling array of short compositions. profoundly synthetic in production, this free-wheeling phantasmagoria of peculiar, yet intensely likeable miniatures branches off into all directions Ð from minimalistic to overflowing, calm to banging, nightmarish to soothing. the visual patina of historic documents is playfully mirrored in intense distortion and noise artifacts, bound into rhythmic units and melodies formed of ghost notes. finding ever new ways of mining his techno background to yield surprising new forms and ideas, stefan goldmann has proven his abilities in a dazzling range of projects over the past years. works for dance, ensembles, an opera and various object-based creations made him a natural choice for the job of finding a refreshing way of linking sound and image. on its own, the music holds up by putting the listener on a high-velocity road trip of the curious mind.

on limited edition compact disc. no., founded by atomtm & material object in 2014, celebrate their second birthday in style with no. ii, a collage, a readymade, an assemblage, a synthesis, in short: a spectrum of elements refracted through the prism of the labels output between the 1st of may 2015 to the 1st of may 2016. you might call such a spectrum a mix, and thats up to you. over the 79 minutes the mix traverses a wild landscape of material. a dose here from the lysergic adventures in the concrete jungle of g@ng5ta, a stroll there over the bubbly terrain of material object+ishqs invisble light, the air punctuated by the haunted soundscapes of former severed head: garry bradburys yakovlevian torque. slather on top of that a caustic beat from anamorph specimens and then undergrid it all with the morbidly obese frequencies of atomtms texturen series and you have yourself some kind of interdimensional feast. so, welcome to our second birthday party.

one of larry heards most under-rated albums finally remastered !!

pangaea steht als synonym fŸr subsonische bassmusik. sein zusammen mit pearson sound und ben ufo betriebene dubstep-label hessle audio zŠhlt zu den besten adressen des genres. entsprechend intensiv fŠllt seine arbeit fŸr die fabric-mixserie aus, die gekonnt darken techno mit bassigen sounds verbindet.

byetone s new record symeta opens with a combined track - a transit - since topas and telegramm could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years. neuschnee Ð the third track Ð has an obviously reduced tempo, creating a wide landscape of sound with an intimate aura, which works as a counter draft to the other tracks of the record. with opal, the tempo speeds up again, a polyrhythmic phrase whirls around a straight beat, filters are turned, all that evokes the impression of early-90s minimal techno. byetone is basically interested in remembering, in a way to preserve, in citing rock/pop styles, without getting stuck in the past, whereas non of the tracks really fit into a specific genre. seen from this perspective, helix opens the final, more rocky block of the album. here, the tracks are offensive and rude and sound like a band in a rehearsal room. this part peaks with black peace in a high speed heavy metal session. finally, golden elegy closes symeta and a band-like situation occurs. the track ends with a wired lament, presented by jan kummer in the tenor of chemnitz, hometown of both artists. in former gdr-times, they started their musical activity with the brilliant-dilettantish ag geige, together with frank bretschneider (komet). symeta , the title of the album, appears mysterious. this synthetic word arouses associations with symmetry, synthesis or (meta-)structures. it doesn t stand for a definite object, there isn t any solution, and that is the reason why the title has been chosen. byetone s music tries to create such associations without really fulfilling these expectations. in this sense, symeta consequently follows death of a typographer (r-n92), the well received predecessor.

compiled by jazzanova / feat. soulphiction, christian prommers drum lesson, paul bryan, the black seeds, thief, roland appel, quasimode, two banks of four, lars bartkuhn (needs), benny sings, recloose, and others

incl. groove armada (m3 & bachelors of science remix of history), wagon cookin (music is not far), and shiny objects (set it off marcus mescaline mix). along with other choice cuts & remixes by hot toddy, mike monday, fred everything, lance de sardi, ron basejam and shiny objects.plus 55+ minute continuous mix by al velilla.